The film ＂Datang Xuanzang＂ was released, and Huang Xiaoming shaved his head for Xuanzang.

　 　 The film Xuanzang tells the story of Master Xuanzang, a monk in the Tang Dynasty, who went to India to seek Buddhism more than 1300 years ago. This film, which lasted for more than half a year, reproduces Master Xuanzang’s way of seeking dharma and this great journey full of human brilliance.

　 　The film "Datang Xuanzang" restores Xuanzang’s 19-year road to study in history. It is not a joke or a legend, but only uses light and shadow to present this great journey about "persistence in one thought" 1300 years ago to the audience. This film is directed by director Jianqi Huo, and written by screenwriter Zou Jingzhi. Wong Kar-wai is specially invited as artistic director. This film is starring Huang Xiaoming, starring Xú Zhēng, starring Purba Rgyal, Luo Jin, Lian Kai, Tan Kai, Vivian Dawson, Cao Cao, Jiang Chao, Che Xiao and Lou Jiayue, starring Zhao Wenxuan, Tang Zhenye, Wang Huichun and Zhao Liang, and many actors joined in.

Huang Xiaoming shaved his head for the role and said that filming Xuanzang was to fulfill his mother’s wish.

This time, the film invited Huang Xiaoming to play Master Xuanzang. In order to play this role well, Huang Xiaoming not only shaved his head, but also experienced the desert heat, the Indian sun and the cold of the snow-capped mountains all the way. He also followed the crew to complete this "eighty-one difficult" quest. Huang Xiaoming bluntly played Xuanzang to fulfill his mother’s wish.

Following the premiere conference on 24th, the cast of "Datang Xuanzang" started a national roadshow. All the way down, don’t watch 2: Jianqi Huo directed the film "Datang Xuanzang’s Journey to the West", directed by director Jianqi Huo and written by screenwriter Zou Jingzhi. Jianqi Huo, who directed The Mountain, The Man, The Dog, and other films, is almost paranoid about the beauty of the camera. He is very delicate and sensitive, and pays attention to the expression of details, which are reflected in his infinite restoration of Xuanzang’s westward journey.

Zou Jingzhi, a gold-medal screenwriter who has written films such as "Da Tang Xuan Zang", not only restores Xuanzang’s journey to the west and tells about the most original The Journey to the West, but also conveys the spirit of Master Xuanzang’s persistence in faith and persistence through focus plane for thousands of years more than 1,300 years ago to modern audiences.

Insist on realistic presentation and pursue Xuanzang’s route with lens.

In order to show the hardships of Master Xuanzang’s quest for Dharma more than 1300 years ago, director Jianqi Huo insisted on real-life shooting. The crew moved to Xinjiang, Gansu and India, and used the lens to pursue Master Xuanzang’s route in those days: endless desert, majestic and silent snow-capped mountains, and beautiful Indian scenery. Real-life shooting is almost demanding for the director’s works, and it is a visual feast in front of the camera: from the extreme yellow sand to a white snow-capped mountain, and finally to ancient India with strong colors.

Along the way, Master Xuanzang grasped the scenery along the way and the customs of different countries. Director Jianqi Huo made great efforts to build palaces and study the clothes and customs of ancient India by referring to history. On the westbound road, many countries have disappeared into the dust of history, and the Nalanduo Temple, the temple of Buddhism, was only left with ruins. The crew spent a lot of time to complete the scene reproduction.

In addition to building a palace, there is a scene in which Master Xuanzang and an elephant travel together in a boat on the Ganges River, which was taken with the elephant. The crew took great risks when shooting, because even the elephant trainer was not sure how the elephant would react when standing on the boat.

Details are everywhere.

More than 1300 years ago, Master Xuanzang completed a journey that seems impossible now. Master Xuanzang’s "one-thought persistence" has made great contributions to human civilization, and this spirit has also deeply influenced the cast of Datang Xuanzang. In Indian scenes, everything from gorgeous saris to gold ornaments on Indian actors and even the crown on the king’s head is highly restored. SonuSood, an Indian actor who plays the no-sun-fighting king who held a naked meeting in the film, said: "At the moment I wore the crown, I really felt like a king."

Stars join in to reproduce the legend of a generation of monks

"Da Tang Xuan Zang" is starring Huang Xiaoming, starring Xú Zhēng, starring Purba Rgyal, Luo Jin, Lian Kai, Tan Kai, Vivian Dawson, Cao Cao, Jiang Chao, Che Xiao and Lou Jiayue, starring Zhao Wenxuan, Tang Zhenye, Wang Huichun and Zhao Liang, and many stars have joined in to support it.

Master Xuanzang went west all the way, constantly meeting and constantly separating. They are either officials who hinder the mage’s westward journey, or border guards who provide help to the mage, or businessmen who meet on the road, or apprentices who have only a short fate. They are the kings who are bent on retaining Xuanzang, and they are also the monarchs who welcome the mage to the east. Xuanzang’s mother, played by Che Xiao, also made her big screen debut. The memory of his mother in childhood is also the warmest memory of Xuanzang on his journey to the west.

"Meng Shu"Lei HanSing the theme song

The theme song "A Millennium" of "Da Tang Xuan Zang" was produced by the film theme song producer Huang Yong. Melody, Huang Yong prefers pure emotional expression; In the choice of musical instruments, Huang Yong’s sword is biased: from Ma Touqin in Song of Canglang to the Fu Lu in Waiting for Dawn. In the Millennium, Huang Yong chose traditional Chinese musical instruments, such as flute, Xiao, and Yu, to deduce the quaint style in the music. As the most representative sitaqin in ancient India, it added exotic charm to the music.

This time, the film invited Han Lei to give a voice and perform with Huang Xiaoming from a distance. Huang Yong, composer and producer, said that this time Han Lei’s singing, his signature singing style was put away, "Don’t be majestic, don’t be high-pitched", and Han Lei interpreted the theme song by "singing in a low voice".

Huang Xiaoming read the Heart Sutra with clear pronunciation and mellow voice.

In particular, the audience will hear the Heart Sutra recited by Huang Xiaoming at the end of the film. Up to now, no star has recited the Heart Sutra with clear articulation, and Huang Xiaoming became the first Chinese star to record and recite the Heart Sutra. At the end of the film, the audience will also hear this version of Heart Sutra, which is full of pity for the world and persistence in faith.